a b o u t
Research of the categories of memory and time. Also, work with ambivalence, through the versatile research of mutually exclusive concepts. The desire to create compositions with interpenetrating sound ideas and meanings. Complete openness to any known techniques. Turning to conditional or direct theatricality, as well as to synthesis with other types of art.
"Music, and art in general, to me, is primarily about communication, connection with people and the nature of things. In the broadest sense of these words."
The important role of emotion and subconsciousness, which if connected often lead work to the "dream theme". Searching for ways to complete mutual absorption of "dreams and reality". And also self-reflection (regardless of the tasks at the beginning of work, the piece is always a personal reaction to external events, or simply manifests itself as their consequences).
"Music does not express anything but itself, but at the same time it somehow and in different ways interacts with the surrounding world. It seems to me that these words can be used to describe an individual person. It is about internal, abstract process that arose from external factors and dissolved in them."